A highly stylized technique in
the invocation of bhava has been developed in Kathakali. This is called
Rasaabhinaya. Indian dramatic theory explain 9 kinds of basic expressions (Navarasam)
As per the Dance
expressions, the refined lot of expressions. (Other expressions do not find
place amongst the "top" nine!)
9 kinds of basic expressions
1. Sringara – Love
2.hasya – comic
3.Karuna - compassion
4.Raudra – Anger
5.Veera – Valour
6.Bhayanaka – Fear
7.BhiBhatsa – Disgust
8.Adbhuta – wonder
9.Shanta – Tranquility
Shringara
Shringara
means love and beauty. This is the
emotion used to represent that which appeals to the human mind, that which one
finds beautiful, that which evokes love. This is indeed the king of all rasas and
the one that finds the most frequent portrayal in art. It can be used for the
love between friends, the love between a mother and her child, the love for god
or the love between a teacher and his disciples. But the Shringara or love
between a man and a woman is easily the most popular form of this rasa.
Hasya
Hasya it
the rasa used to express joy or mirth.
It can be used to depict simple lightheartedness or riotous laughter and
everything in between. Teasing and laughing with a friend, being amused and
carefree or simply feeling frivolous and naughty -- these are all facets of
hasya. Lord Krishna's childhood, when he was the darling of all Gokul is filled
with many stories of his naughty activities. This mirth, which endeared him to
all, is one of the common sources of hasya in all ancient Indian art forms. Clearly,
where there is hasya, all is well with the world, there is joy all around and
all are of good cheer.
Bhibatsya
Bhibatsya
is disgust. The emotion evoked by
anything that nauseates us, that revolts or sickens us is Bhibatsya. When
something comes to our notice that is coarse and graceless, beneath human
dignity, something which revolts or sickens us it is Bhibatsya that we feel.
When Prince Siddhartha, as a young nobleman, saw for the first time sickness,
old age and death, he was moved to disgust which later metamorphosed into
sorrow, deep introspection and peace, as he transformed into Gautama, the
Buddha -- or the enlightened one. Not surprisingly, this emotion is usually
represented fleetingly. It usually acts as a catalyst for higher and more pleasant
emotions.
Rowdra
Rowdra is
anger and all its forms. The
self-righteous wrath of kings, outrage over audacious behaviour and
disobedience, the fury caused by an offense, the rage evoked by disrespect and
anger over injustice are all forms of Rowdra, probably the most violent of
rasas. Rowdra also encompasses divine fury and the fury of nature which is used
to explain unexpected calamities and natural disasters. In Indian mythology,
Lord Shiva, the Destroyer, is thought of as the master of all disharmony and
discord. Shiva performing the tandav -- a violent dance -- is what creates
havoc in the three worlds namely the sky, the earth and the nether world.
Shanta
Shanta is
serenity and peace. It represents
the state of calm and unruffled repose that is marked simply by the lack of all
other rasas. Because all emotions are absent in Shanta there is controversy
whether it is a rasa at all. According to Bharata, the author of NatyaShastra,
the other eight rasas are as proposed originally by Brahma, and the ninth,
Shanta, is his contribution. Shanta is what the Buddha felt when he was
enlightened, when he reached the higher spiritual plane that led him to
salvation or nirvana and freed him from the cycle of life and death.
Veera
Veera is heroism. It represents bravery and
self-confidence. Manliness and valiance are the trademarks of a Veer or a
fearless person. Courage and intrepidity in the face of daunting odds is
heroism. Boldness in battle, the attitude with which martyrs go to war, and the
valour with which they die are all aspects of heroism. Rama, the hero of the
Ramayan, is typically the model for this Rasa. His confidence and heroism while
facing the mighty ten-headed demon king Ravana is part of Indian legend,
folklore and mythology.
Bhaya
Bhaya is fear. The subtle and nameless anxiety
caused by a presentiment of evil, the feelings of helplessness evoked by a
mighty and cruel ruler, and the terror felt while facing certain death are all
aspects of bhaya. Bhaya is the feeling evoked while facing something that is
far bigger and more powerful than oneself and which is dead set on one's
destruction. Bhaya is the feeling of being overwhelmed and helpless. Dread,
cowardice, agitation, discomposure, panic and timidity are all aspects of the
emotion of fear. Bhaya is also used to characterize that which causes fear.
People and circumstances that cause others to cower in terror before them are
as central to portrayal of this rasa as those feeling the fear.
Karuna
Karuna is
grief and compassion. The feelings
of unspeakable tragedy and despair, utter hopelessness and heartbreak, the
sorrow caused by parting with a lover, the anguish caused by the death of a
loved one are all Karuna. So also, the compassion and empathy aroused by seeing
someone wretched and afflicted is Karuna. More impersonal sorrows relate to the
despair regarding the human condition in general, the feeling that all human
life is grief and suffering. It is Karuna of this sort that the Buddha was
trying to overcome on his path to salvation.
Adbhuta
Adbhuta
is wonder and curiosity. The awe
that one feels when one comes across something divine and supernatural, some
power or beauty that is remarkable and never seen or imagined before is
Adbhuta. Adbhuta is the curiosity of man regarding the creation of the world
and all its wonders, the astonishment caused by seeing something unusual and magical.
The appreciation of a marvel that goes beyond the routine and the mundane is
Adbhuta. The glory of a king returning from a successful battle, the magical
feats of a god are both adbhuta to a common man. Adbhuta is when divinity makes
a surprise appearance in the world of men.
There are many dances classes to teach bharanatyam you may check the
following for the same at your locals dance classes in mumbai, dance classes in bangalore, dance classes in pune. Pick the best one and Just Dance!...